Wednesday, July 18, 2007



I caught up with Scenes From A Movie, who have been picking up quite a buzz online recently. Read on to find out how these pop-punkers have learned to stay ahead of the pack and have a good time while doing it.



PPJ: First, tell us your name and what you do in the band.

Adam Triplett: My name is Adam, and I play bass guitar and the stutter step in Scenes From A Movie.

PPJ: What inspired you to start playing music?

Adam: In all reality, it was Tom Hanks. I was pretty uninterested in playing any kind of musical instrument (with the exception of a cardboard guitar singing along to my Raffi tapes as a toddler) until I saw the movie That Thing You Do! in the fifth grade, and thought The Wonders were the greatest band on Earth. Unfortunately, I soon found out they weren't even a real band. This did, however spark an interest in playing music, which led me to bands like Third Eye Blind, and Blink 182.

PPJ: What artists influence you today?

Adam: Most of my life I've thought of bands like The Smiths and The Get Up Kids as having a large effect on my bass playing and songwriting. As a band there are few artists we all agree on, but one that comes to mind is The Matches. While on Warped, we do whatever we have to in order to catch The Matches set every day. There is no reason why they shouldn't be the biggest band in the world right now. They make us want to be a better band, which I think is the highest form of influence you can get at this stage in the game for us.

PPJ: Did coming from West Virginia give you any advantages or disadvantages?

Adam: There are maybe 4 touring bands in the entire state of West Virginia, so it's definitely difficult to cultivate any kind of "scene" or community. That being said, it also gave us the drive to rise up out of there and get our music out to as many people as possible.

PPJ: There are tons of pop-punk bands touring today. How do you make Scenes From A Movie stand apart?

Adam: Two things. Songwriting and Performance. Yes, Tony's voice sounds similar to others. That is why we strive to write songs that will be great regardless of who sings them. Still, there are a hundred bands fighting for space on your iPod right now, and our live show is our bid to win you over. We don't have fancy lighting or smoke and mirrors, but we are constantly finding new ways to make 5 guys standing onstage interesting and fun to watch.

PPJ: What is your songwriting process like?

Adam: For the largest part of this record, Tony will come up with some acoustic sketches, and we lock ourselves in my parent's basement and pound out all of
our little bells and whistles.

PPJ: What is your favorite part of your new album?

Adam: Wow...this is a difficult question. I think "If I Die" and "Goodbye Reckless" are neck and neck for my favorite songs on the record. Goodbye Reckless was my favorite of the bunch going into the recording process, and we were able to do so much with it...it's the perfect way to close out the record. If I Die was a late addition to the record, but it has some of my favorite parts to play on the whole record, as well as one of the biggest choruses we've written up to this point.

PPJ: How has Warped Tour been so far this year?

Adam: I'm an antagonist at heart. That's why I'd love to sit here and talk a bunch of shit on Warped, because you always hear everyone talking about how sweet it is to be on, etc etc. Unfortunately, that antagonist has to take a backseat, because Warped is a blast. Kevin Lyman has created an amazing thing, and we're all really really happy to be a part of it.

PPJ: Do you have any tours in the works to support the new album?

Adam: Right now our plans are to finish out Warped, and then we're doing some East Coast/Midwest stuff with The Junior Varsity, Bedlight For Blue Eyes, and Permanent Me. After that, we have a few ideas and a few things we'd like to do, but nothing we can confirm at this point.

PPJ: Lastly, tell us three bands you think we should be listening to.

Adam: The Matches, Morrissey, and The Hold Steady --XO Adam


Thanks again to Adam for answering these questions, and to Mike Cubillos at Earshot Media. Catch Scenes From A Movie on Warped Tour now, and make sure to pick up their new album The Pulse while you're at it.

website | myspace | purevolume

Wednesday, July 11, 2007



Louisiana's Tyler Read recently released their new record, Only Rock And Roll Can Save Us, and they are ready to take over with it. Take a look at what it's like to spend your days playing some sweet southern rock.


PPJ: To start with, can you tell us your name and what you do in the band?

Josh Johnson: My name is Josh and I sing and play guitar.

PPJ: How did Tyler Read get started?

Josh: Long story short…this band was formed by my brother (drummer) and myself way back in 2003. Back then Chris McPeters and Brent were in another band we played with a lot. That band eventually broke up and we recruited them after we lost some members. That accounts for everyone except our bassist, we picked him up from a Pentecostal school. It has worked out that everybody in the band is really passionate about music and what we do. We have a good time.

PPJ: Is there ever confusion related to the name of your band? Why did you choose the name you did?

Josh: Everyday someone is confusing us with an acoustic singer songwriter of some sort. It is confusing, but I think it makes it a bit original. If you had never heard of Pink Floyd or Lynyrd Skynyrd, you would probably think the same thing. We chose the name as sort of a tribute to a younger cousin named Tyler Reed McFadden, who has absolutely nothing to do with music. There you have it, the whole truth.

PPJ: You went through a series of bass players before settling on Chris Rimmer. What was going on there?

Josh: Well not really a series. My brother, myself, and our cousin Nacho formed this band. He (Nacho) got the both of us into playing music and is probably the reason we play it today. He left the band because he didn’t like touring very much. We auditioned a guy or two and it wasn’t really happening. Chris Rimmer called and asked to try out. We knew him from another band and liked him well enough. He came in, played a few songs and we went and played a show that night. It has worked out really great and he is turning into an unbelievable bass player. We call the bass line to Michael Jackson the “bass line of a generation.” And he is pretty to look at it. Which I like.

PPJ: Josh and Jordan, what's it like to be in a band with your brother?

Josh: Very much like Oasis. Screaming, fighting, the works. That part is true. But we love doing it enough not to kill or get rid of the other. We need each other to do this, we have two very different sets of talents that require the other to be there.

PPJ: What inspires you to write music?

Josh: It has gotten to the point where feelings inspire me more than anything. To keep it real and authentic, I am learning to put down what I am going through. I think that is the only way to write. But also great songwriters make me want to write more. I’ll hear something and think, “God, I wish I would have written that.” I would like to continually improve and I think that it takes time. Strangely enough, I enjoy the writing part of being in a band more than anything else.

PPJ: What prompted the change in sound between The Light, The Glass, The Transparency and Only Rock & Roll Can Save Us?

Josh: I think two things really contributed to the change in style. First off, we had a good bit of member changes going on between those releases. With both of the Chris’s in the band there is a different dynamic. We have a lead guitarist who can shred and a bass player that really holds it down. Putting it all together, it’s more like a big rock band rather than the more indie/emo sound we had on the earlier stuff. I think secondly time being on the road has helped us a lot. We toured independently a long time before getting our record deal and that helped us to try to find our own sound and work at it. While out on the road, we started getting into older music like The Rolling Stones and Queen, timeless rock bands. We decided we wanted to do something that would hopefully be as long lasting as that.

PPJ: You're a band that is touring constantly. How do you keep yourselves energized and entertained on the road?

Josh: A lot of Walmart stops, pulling pranks, and making up games. We work on our rapping skills in the car by putting on a beat and just going back and forth. We have shiested our way into dance clubs by pretending to be Hinder. (That also works with picking up the ladies). On the last tour with Showbread and Pillar, we brought some weights and worked out at what we called Tae’s Gym. It’s been fun but sleeping in the van sucks.

PPJ: How did you go about finding a label home?

Josh: A guy who tour managed the band Jonezetta sent them (Immortal) our demo. We were out on the road with Jonezetta a long time before they were signed. After a few phone calls, our A & R guy came out and watched us practice in a barn. He took us out to eat after that and said he wanted to sign us. I still don’t think anybody at the label has seen us play a show. But it seems like that’s how it works for us. Our booking agent hasn’t seen us play, or 2 out of the 3 of our management team haven’t either. We are pretty awesome….lol

PPJ: Did you ever think you'd be on the same label as Jared Leto?

Josh: Never in a million years. But he lived in a town very close to us growing up for a little while. Maybe it's destiny.

PPJ: Kathrine and Donna from Charleston, SC, want to know how you came up with the artwork for the new album.

Josh: The artwork was a ridiculously long process for us. We wanted to do a group picture to cement the idea of us being a band. But we were not getting anywhere with the pictures we were taking. So we found this drawing online from an artist who had drawn another band and we thought that would be a cool idea and would fit the album. We had someone at our label edit the pictures from our shoot into the formation that you see on the cover. The artist then drew the whole layout and it blew us away. It was a long process, but I’m glad we took the time to get it right. Some people have said it made them think we were on the “trail of rock and roll.” We love it.

PPJ: Finally, tell us three bands you think we should be listening to.

Josh: Brandi Carlile, Kings Of Leon, and Band of Horses are all in my sweet action playlist right now. Do it.


Thanks again to Josh for answering these questions, and to Jason Fisher at Immortal. Make sure you pick up Tyler Read's new album and see if they're coming to play near you.

website | myspace | purevolume

Monday, July 9, 2007

I'm on fire, and now I think I'm ready to bust a move

Motion City Soundtrack, Sherwood, The Higher, & The Forecast at Chain Reaction, 7.8.07.

The Forecast





The Higher









Sherwood







Motion City Soundtrack











Monday, July 2, 2007

sunday recs, a day late.


Every Time I Die.
These hardcore southern rockers are gearing up for some time on Sounds Of The Underground, and a new record in the fall. They've posted a new song on their myspace, and it's pretty ballin.
myspace.com/everytimeidie


The Format.
I know I've recommended this band before, but now they've got their ENTIRE ALBUM, Dog Problems, but for FREE DOWNLOAD on their website. You need it. Now.
theformat.com


The Rocket Summer.
Another artist I've recommended recently, but it's getting closer to the release date for his new album, Do You Feel, and you can download one of the new songs for FREE from Rolling Stone.
therocketsummer.com

Sunday, June 17, 2007

this expectation never surrenders, pretenders



I got to sit down with some of the guys from The Dear And Departed before their record release show at Chain Reaction in Anaheim. Take a few minutes to read this interview and see what these Australians and Brits have to say about friendship, passion, and drive.



PPJ: First, can you tell us your names and what you guys do in the band?

Dan Under: I'm Dan, and I sing.

David Williams: I'm David and I play bass.

Darren Parkinson: I'm Darren and I play guitar.

PPJ: What were your favorite bands when you were growing up?

Dan: Favorite bands growing up, that is a good one, because I think you go through different things in your life, and some bands tend to stick with you more than others, you know? I was lucky to have my dad expose me to some really great bands really early on. I was born in England, so it was a lot of English bands like The Jam and The Buzzcocks, Style Council, you know, stuff like that. He was always constantly playing The Beatles and stuff like that growing up. So a lot of that stuff was kind of subconsciously burned into my memory.

Darren: I'm still changing all the bands I'm listening to all the time. My mom played The Beatles all the time growing up, so that was probably the earliest band I ever heard. And Madness, also, and the Ramones and stuff like that. Anything from like that to Oasis to U2 and Morrissey, stuff like that.

Dan: I think when you get older you kind of, you know, everybody goes through phases; different bands. We kind of got into electronica and stuff as well and you know, it kind of took over the world for a split second. And then, you know, you maybe kind of go through some hard times in life and get into some softer stuff, and then you'll go the other way, you know?

Darren: There's ones that stick with you for years, and those are the truly great bands. Like the Beatles probably stopped playing before I was born, and they're still legendary. Bands like that.

Dan: David?!

David: My favorite bands growing up were bands like Eurythmics, and I listened to a lot of David Bowie...

Darren: Yeah, oh yeah, good one.

David: Yeah, he's one of my favorites, thanks to my mom as well. But yeah, teenage years and stuff...Nine Inch Nails and stuff like that.

PPJ: Can you tell us a little about recording your new album and what went into that?

Darren: That was a great time, and it was really stressful at some times too, but it was great. I'd never recorded a full album before, and to see it all come together was really cool. We had a great producer, Chris Vrenna, who worked with us, and Jade from AFI worked with us too. We just had a great team of guys with it. The whole process was really cool, seeing all the songs come together in the studio.

Dan: Yeah, we really couldn't have asked for anything better, you know? We got to work with musicians who are not only well-respected by other people but by us as well, and being total fans of someone's music and to have that much respect and then to have them work with you is pretty amazing. So, personally I though it was great. I loved the stresses of it, I loved the frustrations because it seemed like everything we were frustrated about led to something else that was maybe cooler or that we didn't expect we were gonna discover.

David: It was smashing.

PPJ: Did you do anything differently recording this CD than you did on your previous recordings?

Dan: Yeah, the songs we first recorded were just rushed and just basically hectic and we got them done as soon as we could. We just did them and got them out. So we had...hey, that guy's shirt says "I love nothing." That's awesome.

Darren: That's sweet! [laughs]

Dan: Um, yeah, we had a lot of time to write. You know with recording it's always money and time and there's always these restraints. Not that we had an insane amount of money or anything, but we didn't really have those restraints. We were well-prepared and I think everyone's personalities really came out and we kind of knuckled down and got on the job pretty much as soon as we got into it, so everything went really smoothly. We were able to just be creative and actually get the job done at the same time.

PPJ: What was it like to move from Australia and New Zealand to the States?

Dan: Well, have you got a spare couple of days? [laughs] Well, it is majorly different. It's majorly different there. A couple of these guys are from the UK as well, so I think between all of us we've experienced every difference there is to experience from where we grew up to where we currently live. But you know, I think it always comes down to the people you're hanging around with, and the people who are there for you and your friends that make any situation better. And no matter what happens, I think, if you have good people around you then you'll always get through the toughest of situations, which, unfortunately, we have seen a few of in our lives.

Darren: It's bigger over here.

Dan: Yeah, the main difference is that obviously it's bigger. Traffic.

David: Yeah.

Dan: Where I grew up there's no freeways, basically, so you don't have to leave your house, you know, a week prior to getting somewhere. You know, if you have an appointment, say, here in L.A., you have to dedicate the whole day to it rather than just nipping down to the post office.

Darren: In England, I could walk to everyone I know's house, and I have to drive everywhere here. Everywhere. That's so weird.

David: I don't have a car.

Darren: He doesn't know how to drive. [laughs]

David: So yeah, I'm 20 years old...

Darren: 21!

David: Oh, that's right, I'm 21 actually.

Dan & Darren: [laughs]

David: And for someone 21 years of age out here, not being able to drive is incredibly weird, and back home it's really not a big deal. So it's definitely strange. There are three sheep to every one person where I'm from.

Dan: [laughs] And me. Maybe more, actually.

Darren: I love sheep.

Dan: Big on wool. Dear & Departed, big on wool, big on bricks. [laughs]

PPJ: How did you guys get hooked up with some of the big name bands like AFI?

Dan: Well, just through meeting them, really. You know, they're just amazing people and we were lucky enough to meet them, and it's just kind of how every basic kind of friendship blossoms. I met Dave at a Bauhaus reunion at the Glasshouse in Pomona about two, two and half years ago. We were actually just demoing some songs at that time in L.A., and he was recording Decemberunderground there, and I needed a lift to L.A. and he had a car and he offered me a lift, and we got lost and we ended up driving around for about two hours just talking like complete girls. We do that often. [laughs] And yeah, we just became the best of friends. They asked me to sing on the record, which was a dream come true for me. I think it's just the best feeling when people that you really respect turn out to be amazing people too. I know there's a lot of stories where people have met people that they really look up to and been completely disappointed. So yeah, pretty simple story, just friendship, you know?

Darren: We were all fans of that band before we even knew them. It's kind of crazy, becoming friends with a band you really really respect and really like. They've been awesome about it all.

PPJ: So I've heard you guys have shoes that were designed by Nike?

Darren: Just one pair.

Dan: Yeah, it was just a pair. Nike have been really awesome to us, and they have this really cool laser machine, laser etching machine, and we had our video coming up and they were like, "Hey, let's make a pair of shoes for you." So we kind of watched it in front of our very eyes how they do it. They put our logo and our name and stuff on a pair of shoes, and you can see Simon wearing them, I think, in our video for "Tonight's The Night," which should be out by the time this gets...

Darren: Whatever you do to it.

Dan: Yeah, aired or written or whatever...

PPJ: Posted?

Darren: Yeah, posted, or thrown in the trash, whatever. [laughs]

PPJ: What drives you to keep making music?

Darren: Some bands out these days that aren't really doing anything special, and just makes me want to take the reins, you know? Try and do something original and honest. I think music needs that right now. We're doing something different to a lot of things. Music, that's all I've wanted to do since I was a kid. Before I could even play guitar I just wanted to play in a band. I think that we all just share the same passion of wanting to do really great music and wanting to tour, and to be out there and doing it.

Dan: Yeah, it's just life for me. I don't really know any other way, you know? A wise man said a long time ago, "Sing your life," and that's kind of what I've been doing. It's all a journey, you know? It's a bumpy road, and I think if you can get out some of your frustrations or just release what's inside you, be it happiness or misery, it's the thing to do. I don't know any other way.

David: I think it's just the only way that I can communicate. I'm not very good at communicating with people.

Darren: As you can tell. [laughs]

PPJ: What do you guys do when you're on the road to keep your live show fresh?

Dan: I think if the music is honest, it kind of can't really ever stop being fresh. You know what I mean? I'm sure there's plenty of that get up there and say, okay, this is the 400th time I've played this song and we have to do it, and that's part of it, but I just think that if you're doing it for the right reasons every show that you play should be a release of the feelings of that song. If your heart's in it, it's definitely fresh.

Darren: I don't personally think, like, oh, I've gotta to this right now on stage, you just kind of do it. The song brings it out of you.

Dan: We're not really a choreographed band.

Darren: Exactly. We don't need to be doing silly guitar spins or anything like that, you know? We just do what we do. Like, dance with the music. If it's a good song, it'll take over you anyways.

PPJ: You guys are on a lot of Warped Tour this year, are you excited for that?

Dan: Yeah, definitely.

Darren: It's going to be good. It's going to be really hard, but to play on that tour is definitely a big deal. It's exciting to get out there.

Dan: Yeah, it's definitely the opposite to most of our personalities. None of us are beachgoers, none of us like to lay out and get a suntan. Most of us being from the UK and England, we have very fair skin, so that means we turn into a beetroot within a matter of minutes, so we're going to have to stock up on the sunblock, I think.

Darren: Yeah. But it'll be good. There's a lot of really good bigger bands that I want to watch. So playing on that tour is definitely...a lot of people want to do that tour, and we're lucky enough to get on that, definitely. It's gonna be a good time.

David: We get to go to a lot of new places.

Dan: Yeah. Canada.

Darren: Yeah, I'm excited for the Canada on that tour.

Dan: Yeah, I think that's what a lot of people forget. You're kind of in and out of a new place every day, but at least you're in and out of a new place.

Darren: Even if it's only a parking lot, it's still something new.

PPJ: What are your favorite parts of the new album, and your least favorite parts?

Dan: I actually really don't think I have a least favorite part.

Darren: Yeah, it's good.

Dan: I love the diversity of the whole thing, and I think that's what I've always respected about the great bands. Like The Cure example, they can fulfill exactly what you're looking for when you're completely miserable, and they can do exactly the same when you're on top of the world. I think diversity in music is a key. I like to think that our music has that too. We have the hits, the rockin' hits, and then we kind of have the more reserved songs.

Darren: Yeah. I don't have a least favorite thing. I think if we didn't really like something we wouldn't have put it on the record. There's a few songs we did with some guest vocalists, and that was awesome. We did a song with Dallas Green from Alexisonfire, and Jessica from The Veronicas did "Under The Milky Way" with us, that's a cover song, and both those turned out amazing. Those are probably some of my favorite things about the album, but I really like all of it. I like what we did. I like what Dan said, the diversity of it. It's great, there's a little something for everyone.

David: Yeah, I don't think there's anything to dislike, really. I just like the whole thing. You can't really pick it apart because each song is individual. I think that each song has its own personality, and if it didn't have a personality it wouldn't be on the record. It's hard to answer that question.

PPJ: Alright, my last question is: what are three bands you think everyone should be listening to?

Dan: One each? Or three each?

PPJ: However you want to do it.

Dan: Let's do three each. You go first, Darren.

Darren: I'll try and do a couple new ones that I'm really into. I like this band called Silversun Pickups, they've been around lately and they're really cool. Alexisonfire, from Canada, good friends, I think everyone should listen to them. And I think everyone should listen to Oasis. For obvious reasons, you know? They're legendary. I think that's one band that everyone's probably listened to in their whole life and liked at some point at least one of their songs. So yeah, those are my three.

David: Dan, you go. I can't think of any bands I like.

Dan: You can't think of any bands you like?

Darren: Even old bands? You just named a couple earlier.

David: Oh, yeah, okay. Um, The Beatles. Yeah, The Beatles. You know, Uncle Paul. And probably Ultravox.

Darren: Who?

David: Ultravox. Vienna?

Darren: I don't think I've ever heard of them.

Dan: My three bands would be, one, Attack In Black, from Canada.

Darren: Oh, yup.

Dan: And...I don't know. It depends on what kind of a mood you're in, you know? Doesn't it?

Darren: We could list ten each, actually.

Dan: I think...that guy has got a Michael Bolton shirt on. [points through window] Time, love, and tenderness.

David: Oh, that should have been one of mine!

Dan: Michael Bolton is not one of mine.

Darren: It's one of David's apparently.

Dan: Um, I think Attack In Black, I think City And Colour, I think if I'm saying an old band just for the sake of it, probably, I mean without being stereotypical, probably The Smiths. If anyone can take away half of what I've taken away from a band like The Smiths or Morrissey, then that's a lot, and it's a lot more than a lot of other bands have ever given out, I think. Bands back then actually seemed like they were standing for something that just couldn't be stood for these days. It was going against society and what society was kind of throwing at them. It seems nowadays that society is just kind of totally turned around. You know, it's in every mall and it's all over the TV. You're not deemed cool unless you have this or that. My dad first gave me The Smiths' Meat Is Murder when I was a wee, wee lad and some of that stuff just stuck with me forever. So yeah, those are my three.

Darren: There's a lot of good music in Canada, as you can tell.

PPJ: Alright, well that's all I have. Thank you very much.

Dan Thank you very much for your time.

Darren: Yeah, good questions, thank you.


Thanks again to Dan, Darren, and David for taking the time to answer these questions for me, and thanks to Mike Cubillos at Earshot Media for putting things together.

Make sure you pick up The Dear & Departed's new LP, Something Quite Peculiar, and catch them on the Hurley stage on Warped Tour from June 29th through July 28th.

Thursday, June 14, 2007

I wanna sleep right through the summer.



Artist: Kleveland
Album: Kleveland
Label: Unsigned
Release Date: 2006


A lot of female-fronted punk these days is highly polished and glamorized, monopolized by bands like The Sounds. Not Kleveland. This Oregon-based band is raw, dirty, and straight up punk, and it's wonderfully refreshing.

Singer Stephanie Smith has a voice reminiscent of Sahara Hotnights' Maria Andersson, while the style of the music is much more like '80s punk - The Clash, Sex Pistols, etc. Add the attitude of The Donnas, and you've got Kleveland.

Starting off with the driving "Jonny Is A Klepto," (Ramones much?) the album easily hooks in anyone with a passing interest in punk. This song sets the precedent for the rest of the album: fast songs overlaid with energetic vocals from Smith. There is some background harmonizing, but for the most part, Smith powers through the songs on her own. While the production leaves a lot ot be desired, particularly on the drums, the songs themselves are rough enough to let that slide.

Songs like "ESP" and "Sleep At Night" will get fans out of their seats and dancing in no time. There are also a number of slightly slower songs, like "Cursed" and "King Of The Drama Queens," but even these songs are nowhere near ballads, and all are worthy of a shake of the hips. The album's final track, "No Heart, Go Heart" is the closest to a ballad, bordering on pop-rock rather than punk. While the music isn't as fun to listen to in this slowed format, Smith's voice is stellar on this track and makes it an enjoyable closer.

A lot of the tracks in the middle of the album tend to blend together due to the lack of a great number of hooks. However, upon further inspection, each song has its own personality and intrigue.

Kleveland would have done really well in the early '90s, as their influences clearly draw on bands like Cheap Trick and The Pretenders. While this makes me like them a lot, it also worries me that people might write them off as a bit of a throwback band. While Kleveland isn't doing anything groundbreaking, they're still making good organic punk rock. And what's not to love about that?


Tracklisting:
01. Jonny Is A Klepto *
02. Summer Fun
03. ESP
04. King Of The Drama Queens
05. I Got A Date *
06. Room In Your Name
07. Flat Tax
08. Cursed
09. Pills
10. Be Prepared To Stop
11. If Your Friends
12. Sleep At Night
13. No Heart, Go Heart *

* - standout tracks

For fans of: Blondie, The Donnas, Hole.

website | myspace

Monday, June 11, 2007

where is my death?



Artist: We Are Standard
Album: 3.000V-40.000W
Label: Minty Fresh
Release Date: 7.10.07


What's in a name, really? To people like my mom, a name is everything. She always wants to know why bands name themselves what they do, while I tend to never give band monikers a second thought. It's just a memorable handle for a group of people, right? Well, in the case of We Are Standard, their name sets the precedent for what we should expect.

Their name is extraordinarily similar to that of We Are Scientists, and they sound quite a bit like that band as well. Only more...well...standard. The beats aren't as catchy, the vocals not as smooth, and the lyrics not as good.

Actually, the guitar riff at the beginning of the first track, "On The Floor," sounds promising, as do the funny electro beats. But as soon as their singer begins to growl the lines "I got to know you in college / when the shops were all closed down / I thought I'd never meet you / but you found me one more time", it kind of goes downhill from there.

The sparse drumming on "Pressure" does little to alleviate the predictable dance beats. The singer begins to sound more like he belongs in a mid-'70s punk band rather than a trendy dance rock band. Unfortunately, the addition of backup vocals make his voice grate even more.

"Supermarket" is one of the most excruciating songs on the record - with its overly extended instrumental intro and painfully slow vocal cadence. Not to mention that it's a song about a rape in a supermarket. Yes, that's right - rape in the supermarket.

I always wanted to be his girl / Dry his tears and share my bed / But this is what he's done / I hate this supermarket / I fucking hate this supermarket

There is also a song that is inexplicably sung in German ("Frank"), even though the band is from Spain.

I really tried hard to find something about this band that I liked. Perhaps they had some innovative backing tracks? No. Impressive vocal gymnastics? No. Interesting lyrics? No. Actually, come to think of it, perhaps "We Are Standard" is actually too high a compliment.


Tracklisting:
01. On The Floor
02. Pressure
03. The Happy Song
04. Love Train
05. I Love You
06. Txusma Remix
07. Supermarket
08. Hippie
09. Frank
10. The Pill Song (Wowee)
11. Jam 256# (Belive In Yourself)

* - standout tracks

For fans of: The Bravery, the new Killers album, nails on chalkboard.

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